Archive for the ‘ VIDEOS ’ Category

Learning to fly – First Shots

In the week since my first test flight with the Inspire 1 I’ve been out flying it nearly every day, it’s almost becoming an obsession!  As somebody who enjoys capturing images from the world around me I’ve found that suddenly having this amazing new perspective on life has reignited a passion for capturing images that I haven’t felt in ages. Here’s a few of my first attempts at filming from the Inspire.

While I’m finding it very tempting to start being more daring with my shots I’m forcing myself to take things slowly and really think about every movement of the Inspire. It would be all too easy at this stage to let creativity take over and get the camera in to more interesting positions but for now I’m leaving myself plenty of room and remembering that it’s early days in the development of my flying skills.

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Harley-Davidson Euro Festival 2015

Here’s another video shot for Harley-Davidson recently in and around St Tropez, France. I had the pleasure of shooting aerial footage for this one by hanging out of a helicopter with the door off, that never gets boring!

Huge thanks to The Xcerts for providing the awesome soundtrack for this one. Check them out!

Cameras
Canon C300
Canon C100
GoPro Hero 4 Black

Lenses
Canon 70-200 f2.8 IS L
Canon 24-105 IS L
Tokina 11-16

Support
Miller DS20 Carbon Tripod
Kessler Pocket Jib traveller
Kessler Stealth Slider

 

Using markers as visual sync guides in FCPX

here’s a quick tutorial showing how I use markers in FCPX to give me a visual indicator in case any audio syncing issues crop up due to a mistake using the magnetic timeline.

Although the magnetic timeline offers many advantages when editing, I find that it’s very easy to inadvertently trim a clip without realising you’ve done it and as a result have all of the clips later in the timeline jump out of sync with a music track that is attached near the beginning of the project.

markers1

As each section of my projects start to become tuned to the beats in the music I drop in pairs of markers so that any future changes in sync are more obvious. The markers are dropped in place by selecting the target clip, moving the pointer to the desired location and then pressing the ‘m’ key if using the standard keyboard commands.

markers2

Quite often I notice these markers have moved out of alignment even before I notice any sync issues so it provides a good alert system as well as giving a visual clue as to where any unwanted changes have been made in the edit.

European Bike Week 2014

Just back from shooting another Harley-Davidson European Bike Week in Faaker See, Austria. Unlike all the others I’ve filmed there over the past six years the weather was well and truly against us this year with every day being wet and grey.

The one saving grace for this shoot was that when there’s low clouds and mist in the area the passes surrounding the event site take on a whole new feel with rising mist over the tree lined roads.

Croatia Harley Days 2014

Biograd on Croatia’s Dalmatian coast played host to this years European HOG Rally and once again I had the pleasure of being invited to the event to film it and create a video showing the highlights of the location and the activities that took place.

Approximately 50,000 people descended upon the event site over the four days of the festival, with an estimated 25,000 bikers experiencing Croatia’s fantastic riding roads and coastline.

I had my Canon C300 upgraded to include the Dual Pixel Auto Focus (DPAF) feature just before flying out to Croatia and I have to say that it proved to be a lot more useful than I was expecting. I really wanted the DPAF feature for shooting from the back of a bike as it’s impossible to manually focus well in that situation but as it turned out I used the Auto Focus a lot more than I was expecting.

Used in combination with the Focus Lock feature which I programmed to the magnify button on the handgrip I found myself allowing the AF to gain initial focus much of the time and then locking the focus before composing my shots rather than punching in and focusing manually as I would have done previously.

For any shots that required slower focus pulls I’d just lock the AF and then manually focus as normal.

One situation that I found the DPAF feature really helped with was using the Tokina 11-16 f2.8. In the past I’ve run in to quite a few problems with focussing that lens accurately. Having to work quickly in the midday sun it’s very easy to think the lens is focussed correctly only to find the images are actually a little soft. The DPAF helped a lot when having to work fast shooting wide.

The other lenses used were the Canon 17-55 f2.8 and the 24-105 F4, both of which also performed well with the DPAF feature.

croatia-pano-2

 

There’s a few slider and Jib shots thrown in courtesy of my Kessler Stealth Slider and Pocket Jib Traveller. The Drone shots were captured by my buddy Lorenzo De Angeli using a GoPro Hero 3 mounted to a hand built drone.