Talking FCPX on the FCP Grill Podcast

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I recently had the pleasure of talking to Chris Fenwick from the FCP Grill podcast about why I chose to move from Premiere Pro over to FCPX.  I always enjoy listening to Chris’ podcasts so it was really tough remembering that I needed to talk back to him from time to time!

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Podcast: Play in new window | Download (Duration: 56:09 — 26.8MB)

If you don’t already listen to Chris’ podcasts then check them out at the digitalCINEMAcafe website. Chris also runs a great blog himself where he posts many a useful tutorial and other film / editing related info.

Motion tracking in FCPX with CoreMelt TrackX & SliceX

I was recently invited to try out the TrackX and SliceX FCP plugins from CoreMelt. I’ve needed to use motion tracking on a few jobs in the past and have always relied on After Effects for the task. The TrackX and SliceX plugins from CoreMelt offer up the ability to do motion tracking directly with the FCP Interface which is a real positive for me.

I’ve only been experimenting with the plugin for a couple of days now and compared to using After Effects it’s extremely simple to get great results. I’m not going to show any examples of my own usage as yet as I’m still learning the basics but here’s a video showing some of the results that can be achieved.

I’ll be posting more of a tutorial / review in the near future showing how the tools within the plugin are especially useful for me but I’d recommend watching the examples below showing what’s possible with SliceX and TrackX.

To find out more about the plugin visit the CoreMelt website

Green screen in FCPX

I thought I’d share this project I worked on recently as going in to it I planned to do the animation parts in motion but I decided to try doing the whole thing directly in FCPX. I was pleasantly surprised how easily FCPX handled the key framing and the green screen key, I did make a few tweaks along the way but in general the keyer in FCPX is really good.

For the graphical elements I created photoshop files with a transparent background and imported them as multi layer psd’s allowing me to keyframe each graphical part separately. Opening and closing the video animation fly outs for each element was a bit of a drag, especially when there were a few elements stacked vertically but the app handled the animation with ease.

[update - 11/02/2014 - 13:24]
As noted by Ian in the comments it’s a little confusing as the hand shown in the video is on a white background. It was shot green screen because the client wasn’t sure if they were happy going with a white background so I had to be able to use imagery or another colour if required.

Reviewed: Shoot35 CINEfocus r3

The Shoot35 CINEfocus r3 is the latest incarnation of Shoot35’s follow focus offerings. 

I reviewed the original (r1) CINEfocus back in 2009 and although that version has worked really well over it’s lifetime the latest incarnation is a totally new design with a host of features that promise to make it more precise, more flexible and easier to use.  So lets start by opening the box and seeing what goodies are waiting inside…

 
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Senal SMH-1000 Headphones Review

When B&H Photo got in touch with me recently and asked if I’d be interested in reviewing the Senal SMH-1000 headphones I was intrigued, at first glance they appear to be almost identical to the Sony- MDR-7506 which are often regarded as an industry standard in the film and recording industries.

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Read the full review to see how they stacked up against the Sony’s and also the Sennheiser HD25 II’s that I’ve been using more recently.

 

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