Posts Tagged ‘ Canon C300

Canon EOS C100 vs C300

Today Canon have announced a smaller brother to it’s C300 and C500 cameras in the form of the EOS C100. With retail price of around $6500 or £4,600 in the UK it comes in at around half the price of the the C300 so where have those savings been made and how do the two cameras stack up against each other in terms of features?

I’m basing these initial thoughts on the specifications currently available on Canons website so this post is likely to be updated as more information becomes available.

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Harley-Davidson in Cascais, Portugal

Here’s the latest video I shot and edited for Harley-Davidson Europe. The location of this rally was Cascais and surrounding areas in Portugal. The flag parade that happens towards the end of the rally (and the end of the video) started out on the famous Estoril race circuit which was a real blast to ride around.

Everything in the above video was shot on the Canon C300 and I made a lot of use of over cranking again this time. It’s a real shame to have to revert to 720p to do that on the C300 but I think the camera still manages to retain a lot of detail and certainly enough for these projects as the required delivery is 720p anyway.

For the flag parade I attached my SmallHD DP4 to a lanyard and help it in front of my whilst using the other hand to position the camera. This all happens on the back of a motorcycle with other bikes everywhere so it was a little bit daunting but worked great.

I only use two lenses throughout the whole shoot, the Canon 17-55 f2.8 IS EFs and the Canon 24-105mm f4 IS L . The 17-55 did more than 80% of the shooting though and I find that lens to be the most practical for this subject as bikes just look great wide!

The only other notable kit was a glide track shooter HD and my Miller Tripod with the later only being used on five of the shots. I make a lot of use of the image stabilisers in the lenses and the warp stabiliser in CS6 so that I rarely have to use a tripod.

The song is by the excellent “Lovedrug” and was licensed with the help of The Music Bed.

If you have any questions about camera settings etc then just shout. These event videos have to be produced immediately after the shoot itself without any time off so I’m going to have a much needed day or two off :)

 

 

 

Canon C300 handle / mic placement

When working in crowded or bright environments I like using my Canon C300 with the monitor assembly removed but still using the top handle to carry the camera around. If you want to record basic audio in this configuration though you have to use the 3.5mm mic jack on the side using something like a Rode Videomic Pro.

The problem though is that the cold shoe placement on C300′s handle makes the handle unusable when a mic is fitted to it, it ends up looking something like this…

 

What we really need is the mic to be fitted to the front cold shoe, but that’s a vertical shoe so the mic would be pointing in totally the wrong direction and would just look silly. Something like this mockup I made would be better, I’m sure Rode would produce a much more elegant solution than my feeble hack job though.

 

That way the handle can still be used and the mic is out of the way above the lens. It would be nice if it was smaller though. Something more compact would be great, maybe even a stereo mic?

 

So there you go manufacturers, a small shoe mounted mic for the C300 would be really useful, oh and remember where you got the idea when it comes to field testing your wonderful creations! ;)

Canon EOS C300 Custom Picture Profile

I’ve had a few people ask if I would consider sharing the Canon EOS C300 Custom Picture Profile / Scene Files I created and used on the video I did for Harley-Davidson in St Topez recently. The picture profile is now available for download if you want to try it out. Just remember this is more of a ‘baked in’ look, see the video below for examples of how it looks, the C300 shots were not colour corrected in this video.

Download the file here: Paul Joy’s Canon EOS C300 Picture Profile

I need to give a shout out to people who’s profiles I tried before creating mine as I leaned a lot from them. Alister ChapmanAbel CineKevin Ritchie and the BBC’s recommendations all helped me to understand what different settings would achieve. Another great resource was Art Adams ‘Stunning Good Looks‘ post about correcting white balance on the C300.

The zip file contains a single preset file which will replace the setting you have in the SD1 position. Make sure you back up your existing SD1 setting first!

Let me know how this works for you. The setting is called PJOY1080 because it’s set up for 1080p shooting. I have another one for 720p but I’m still perfecting that and I’ll share it once I’m happy with it.

Using the Canon EOS C300 for a Harley-Davidson event

The post production for the event I shot for Harley-Davidson in St Tropez is now completed so I thought I’d share my thoughts on using the Canon EOS C300 on an event shoot for the first time. Previous to this event I’ve been using a Sony EX1 and Canon 5D mkII combination which have produced some nice results. The EX1 has been my main camera for event work over the last few years and even though I’ve felt the results from the 5D2 have been better at times the functionality and ease of use that the EX1 provided meant that it was just a better all around camera for my needs.

My shooting days at these events involve a lot of walking, I’m generally out shooting from 10am until the early hours of the morning for three or four days in a row so it can be very hard on the feet and becomes tiring after a few days. Because of this I tend to try and avoid carrying too much kit around with me and certainly didn’t like carrying both the EX1 and the 5D at the same time with all the batteries and lenses that go with them. My preferred method was to head out for a few hours with the 5D and my Glidetrack grabbing some more stylised material and then head back and swap over to the EX1. This worked well most of the time but invariably there would be times with the 5D that I missed the EX1′s over cranking feature and shooting aids, likewise when using the EX1 I’d really miss the ability to shoot really wide and have more control over the depth of field of my shots.

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