There’s some nice reviews of the video features in the Canon 550D appearing on the web. Ninofilm has posted a very in-depth and informative review as a first time DSLR shooter coming from the EX3.

http://ninofilm.net/blog/2010/02/23/canon-550d-review/

It’s nice to see footage samples without any post processing so that you can see the real quality of images that the camera is capturing. The 550D footage at 720p seems just as nasty as the same mode on the 7D to me, although the much nicer 1080p footage seems to match up too.

Mic windscreens are not something you normally consider to be fashionable or by any means funky, but when it comes to the Zoom H4n ‘Readhead’ windscreens it’s an entirely different story. My windscreens only turned up today so I haven’t had chance to try them outside yet, but you have to admit these things are well cool, I almost feel like I need to pick up some hair products for them!

Check out all the colours at www.redheadwindscreens.com I went for a gun metal and a midnight for $54 with free worldwide shipping.

People say that much like dogs, an h4n often looks like it’s owner… I don’t believe a word of it!

Find out more at www.redheadwindscreens.com

I had a thought provoking phone call from a friend of mine today who pointed me in the direction of Simon Wyndham’s Bokeh-Porn rant from a few months back.

In the post Simon talks about how shallow depth of field has become an obsession and the huge amounts of “test videos” that now populate vimeo. I read the article with mixed feelings. On the one hand I know I’ve enjoyed my fair share of bokeh and contributed a few of those videos, but even though I agree with a lot of what Simon says about the lack of narrative in these videos I still think people have a right to be creative in their own way.

I’ve been a bokeh addict for around three years now, and I haven’t touched a drop for around 24 hours!

I would love to shoot a narrative piece, but the reality is that so far I’ve either been too lazy or too busy to make the effort to organise such a project. So does that mean I should have refrained from shooting at all? I think not, to me these “test videos” were an important part of my progression. If you create such a video and are proud of it for whatever reason why shouldn’t you share it? After all, thats the beauty of the Internet for us as content makers.

The reason I’m a little bit torn over this whole subject though is that I can’t help feeling that Simon does have a good point regarding the DSLR revolution as it’s become known. The DSLR has resulted in a flood of shallow depth of field montage style videos, much like the kind of thing I’ve enjoyed making too. It seems that what was once a visually interesting and thought provoking project for me now looks like 1000 other videos on vimeo.

Simon is definitely wrong on one count though, I’ve seen numerous narrative films shot on DSLR that look gorgeous and deliver a fantastic story at the same time, he is right however that they are very much outnumbered by montage pieces. Hasn’t that always been the case though?

I’ve also been re-evaluting my 5D shots in comparison to some of the footage from my EX1 and I realise I’ve been drawn into this DSLR thing and lost sight somewhat of the other factors that make a good quality image. It’s worth taking a step back sometimes and looking at the bigger picture.

Am I going to stop shooting on the 5D? Lord no! I’m still addicted to bokeh! I am however starting to have a better idea of it’s limitations.