Tagged: Canon 5D

Ecosystem Justice Matters

  This was a fun little talking head film I made for the International Development team at the University of East Anglia. The guys at the UEA had opted for a style they wanted to use so it was really just a case of lighting and framing accordingly to achieve...

The Canon 5D mark III is announced

The long awaited Canon 5D mkIII has been revealed today . The camera’s most notable new features for use in video production are as follows: • Digic 5+ processor (supposedly reduces moire, rolling shutter and aliasing) • Dedicated video / still switch like that on the 7D • HDMI stays...

Glidetrack Hybrid SD

Back at the beginning of 2011 I reviewed Glidetrack’s new Hybrid HD slider which I’ve been using ever since along with my trusty Shooter SD which I take with me on overseas trips or anytime when travelling alone and I need my kit to be portable. The Hybrid HD has...

Endeavour

After working with Peter Naylor on Adrift he gave me a call to see if I’d be interested in shooting another short film he was working on. Endeavour was shot on the 5D MarkII and involved some pretty cold and wet shooting. At various points during the one day shoot...

Adrift shortlisted for open shutter awards

Adrift gets shortlisted for the Open Shutter Awards

The short “Adrift” that I made with Peter Naylor has made it to a short list of ten for the Open Shutter Awards 2010. The British Journal of Photographers, in association with Canon, is organising the first UK HD-DSLR Awards, open to all kinds of HD-DSLR films, from documentaries and commercial...

HDSLR Encoding Wars – Premiere Pro vs Final Cut Pro

Browsing the web reading various reports and reviews about Premiere Pro I keep coming across the statement that because Premiere Pro works without the need to transcode H.264 DSLR files the footage inherently retains more quality. After using Premiere Pro for a week or so I decided to spend some...